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From his humble beginnings with Rain Man to his reign as captain of his own empire, Hans Zimmer is an enigmatic and often polarizing figure in the film music community. \u00a0We take a listen to his music and learn a bit about the man and the controversy that surrounds him in this episode of FrameTrax.<\/span><\/p>\n <\/span><\/p>\n He has won two\u00a0<\/span>Oscars<\/a>\u00a0<\/span>and four\u00a0<\/span>Grammys<\/a>\u00a0<\/span>and has been nominated for three\u00a0<\/span>Emmys<\/a>\u00a0<\/span>and a\u00a0<\/span>Tony<\/a>. Zimmer was also named on the list of Top 100 Living Geniuses, published by\u00a0<\/span>The Daily Telegraph<\/a><\/i>\u00a0<\/span>in 2007.[1]<\/a><\/sup><\/p>\n His works are notable for integrating\u00a0<\/span>electronic music<\/a>\u00a0<\/span>sounds with traditional orchestral arrangements. Since the 1980s, Zimmer has composed music for over 150 films. He has won two\u00a0<\/span>Academy Awards for Best Original Score<\/a>\u00a0<\/span>for\u00a0<\/span>The Lion King<\/a><\/i>\u00a0<\/span>(1994), and for\u00a0<\/span>Dune<\/a><\/i>\u00a0<\/span>(2021). His works include\u00a0<\/span>Gladiator<\/a><\/i>,\u00a0<\/span>The Last Samurai<\/a><\/i>, the\u00a0<\/span>Pirates of the Caribbean<\/a><\/i>\u00a0<\/span>series,\u00a0<\/span>The Dark Knight<\/i>\u00a0<\/span>trilogy<\/a>,\u00a0<\/span>Inception<\/a><\/i>,\u00a0<\/span>Man of Steel<\/a><\/i>,\u00a0<\/span>Interstellar<\/a><\/i>,\u00a0<\/span>Dunkirk<\/a><\/i>, and\u00a0<\/span>No Time to Die<\/a><\/i>.<\/sup><\/p>\n Zimmer has collaborated on multiple projects with directors including\u00a0<\/span>Christopher Nolan<\/a>,\u00a0<\/span>Ridley Scott<\/a>,\u00a0<\/span>Ron Howard<\/a>,\u00a0<\/span>Gore Verbinski<\/a>,\u00a0<\/span>Michael Bay<\/a>,\u00a0<\/span>Guy Ritchie<\/a>, and\u00a0<\/span>Denis Villeneuve<\/a>.<\/p>\n [\/et_pb_text][et_pb_code _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”]